Our reading of Richard III last night was a great success, despite the rainy evening. You can find our Richard program here, which includes historical background and scene summaries courtesy of our director, Angeline Morris. Below, for your viewing pleasure, you can find alternate poster designs from UA art students we thought worthy of honorable mention.
Poster by Anna Sella
It’s a busy semester, so Improbable Fictions is concentrating its efforts on two performances this spring.
First off, we’ll be presenting a collection of scenes of and about teaching in early modern drama as part of the 2020 Hudson Strode symposium “The Future of Teaching Shakespeare.” Registration is closed for the symposium (we capped out at seventy attendees!), but our performance is free and open to the public. We’ll be reading these scenes at 7:30 pm on Friday, February 21st, 2020 at the Dinah Washington Cultural Arts Center. Pre-show music begins at 7:15 pm, and a Q&A will follow the approximately 50 minute performance.
Second, IF will present a staged reading of Shakespeare’s Richard III, cut and directed by Angeline Morris, at 6:30 pm on Wed, Mar 4th, 2020, also at the Dinah Washington Cultural Arts Center. Pre-show music begins at 6:00 pm. We’re partnering with Theatre Tuscaloosa’s SecondStage: Festival of One Acts, a collection of short plays that begins at 8:00 pm on March 4th and runs through the rest of the week. IF’s reading is free and open to the public. Tickets for the Festival can be purchased here.
Poster by Angel Green
And thus the whirligig of time brings in his revenges!
Image: A Beach, perhaps the one Viola finds herself shipwrecked upon. Event details below.
On Wednesday, Oct 2, Improbable Fictions will present Shakespeare’s Twelfth Night, the first staged reading we performed back in 2010. An excellent way to start out our ELEVENTH season! The details:
It’s that time of year when various actors’ fancies turn to Shakespeare. And the Rude Mechanicals is about to open its 17th season.
Our first show is very contemporary drama-comedy about power, corruption, and sexual assault, Measure for Measure, late comedy-drama of Shakespeare’s. Set in Vienna the story concerns the ruler of the city going on a vacation and putting the power of the law into the hands of Angelo, her assistant. Under the Duchess the city’s laws, especially concerning sexual activities, have not been enforced and Angelo is determined to right this wrong. However when he condemns a young man to die for impregnating his fiancée, his sister, Isabella, a novitiate at the convent, pleads with Angelo to show mercy to her brother, and Angelo gives her the price for that mercy: to give up her body in sin to Angelo. Very serious issues are brought forth, intermingled with Shakespeare’s comic fools, and his supreme language.
We will present Measure for Measure Wednesday-Saturday, May 29-June 1 down at the Park at Manderson Landing, lower level. Music begins at 7:30 and the play begins at 8pm. I have attached our poster. As before, it is FREE.
Then next month, Wednesday-Saturday June 26-29, we will bring you The Comedy of Errors, Shakespeare’s early (possibly earliest) very silly and quite dizzying laugh out loud comedy of two sets of twins on a collision course, based on an earlier comedy by the Roman, Plautus. Same times and information.
We look forward to seeing all of you in the park (Or the Allen Bales Theatre if bad weather forces us indoors).
Steve Burch
Professor, Playwriting, Theatre History
University of Alabama, Dept. of Theatre and Dance
On April 3, 7:30 pm, at the Dinah Washington Cultural Arts Center (620 Greensboro Ave, Tuscaloosa), Improbable Fictions will stage a selection of readings around the theme of strangers. Pre-show music begins at 7:00 pm. As always, IF events are free and open to the public.
Our inspiration piece for this event is Shakespeare’s monologue about immigration and empathy from the many-authored play Sir Thomas More. The play has gained a lot of attention in recent years, thanks in part to Sir Ian Mckellen, and we wanted to place this powerful passage in its early modern context, staging it alongside excerpts from Antony and Cleopatra, The Merchant of Venice, Midsummer Night’s Dream, Othello, The Tempest, and Titus Andronicus, as well as selections from medieval folklore, Mandeville, and Brecht. Our hope is to start a conversation about what it means to be treated as a stranger in a strange land both then and now, and UA’s own Dr. Cordelia Ross will kick off a post-show Q&A with some thoughts from her own research on the subject.
We’re still gathering together readers for this event, so if you’re interested in taking part in an IF production, shoot me an email at nrhelms@ua.edu, or reach out to me on Twitter @nrhelms.
As always, IF productions are sponsored by the Hudson Strode Program in Renaissance Studies, part of The University of Alabama Dept. of English.
